Workshops
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Over the last four years I have had the honor of teaching several workshops on Ventriloquism in several diffent cities in England, Puerto Rico and the United States. |
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STUDENTS SPEAK: Dear Vikki, It was really nice to have the opportunity to be part of your workshop at the I-Fest. We all learned a great deal from it. You clearly are outside the box when it comes to ideas for ventriloquism. Warmest regards, Donald R. Beebe Norwich, Connecticut |
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INTRODUCTION TO VENTRILOQUISM ADVANCED VENTRILOQUISM You start out with the very basics such as lip control and mastering hard letters and move on to distant voice and working two figures at once. |
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| MUSICAL CHOREOGRAPHY FOR VENTS If you have a musical number you want to enhance, get away from the stand!!!!! Be a director. Create movement to use your whole stage. | ||
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FIGURE MANIPULATION The most essential part of ventriloquism is making your figure look as real as possible. In this class you will learn how to give life like qualities to your performing pal. |
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| USE THE STAGE Too many vents stay in one spot. Be a director to your "actor" friend or friends on stage. Use blocking to intensify your performance and keep the audience alive! | ||
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THE ESSENTIALS OF AD-LIBBING What to do when you forget a line, when somebody walks out of your show, when your stand starts to sink, when things happen that are totally out of your control. This is an interactive class that puts you on the spot to learn how to ad-lib come what may. |
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